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Accordingly, so soon as the 16th of February, there appeared anonymously ''. 1751, by Dodsley, & went thro' four editions, in two months; and afterwards a fifth, 6th, 7th, & 8th, 9th, 10th, & 11th; printed also in 1753 with Mr. there is a 2d edition; & again by Dodsley in his ; translated into Latin by Chr. at the British Museum, and that which belonged to Mason, and now belongs to Sir William Fraser, Bart., who printed a transcript of it in 100 copies in January 1884.
to Horace Walpole, who circulated it among his friends.
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Mason seems to have had evidence for the 1742 date sufficient to satisfy Walpole, though what that evidence was we do not know. The 'Churchyard' was, I am persuaded, posterior to West's death  at least three or four years, as you will see by my note.
Writing to Mason, 1 December 1773 ( of Gray: ''There are ... At least I am sure that I had the twelve or more first lines from himself above three years after that period, and it was long before he finished it.'' Mason evidently made some satisfactory reply, for two weeks later, 14 December 1773 (, VI, 31), Walpole writes: ''Your account of the 'Elegy' puts an end to my other criticism.'' Then Mason in 1775 made the statement just quoted above.
[For I see in my thoughts, my sweet fire, One cold tongue, and two beautiful closed eyes Will remain full of sparks after our death.] Expanding the poem lines () shows the results of a computationally facilitated analysis of the text.